If a painting is good, it will be mostly memory.
I spent much of this evening, listening to Andrew Wyeth documentaries on VHS and DVD, as the shadows gathered in the Man Cave. As I look at Wyeth’s drybrush and watercolor sketches, I am mesmerized at his dark, dim interiors. The D’Arches paper I use makes me think I am painting on snow–it is so white and reflective. I apply countless glazes of pigment, trying to darken the areas around this pale blue bucket and capture the essence of the dim interior of a garage, work shed or barn. One of these days, perhaps I’ll figure it out.
I did enjoy „scarifying” the door in the background. My Man Cave has nine aged doors that I keep moving around and studying for their varying textures and colors. I really want to master abused wood textures and colors…
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